How to Add a Batch of PDFs to ForScore (UPDATED 2020)

Today, I went to add a batch of PDFs to ForScore and the Google Drive service was not available. After some research, I was able to figure it out and I wanted to share it with everyone.

Let’s say you get an email from a wedding band and you need to add 100 or more songs to your ForScore very quickly. Simply use the import feature, which is part of the library. The directions are very clear in the ForScore documentation, except that I could not find the import! The Import is located in the Library which is the note icon in the top left corner. I hope this tutorial is helpful to anyone who wishes to add a large number of files to ForScore at once.

ForScore Tutorial: How to Use Bookmarks for Long PDFs

Have you ever received a PDF with multiple songs? Rather than splitting out each song, you can simply bookmark the PDF in ForScore and then add that bookmark to a Setlist. ForScore is a wonderful PDF music reader for iPad! This is a tutorial on how to Add Bookmarks to ForScore for a multi-page PDF, and then link to that bookmark within a setlist.

How to use bookmarks in ForScore

Apps for Jazzers 2019

By Shannon Gunn, presented at JEN 2019 (Reno, NV)

  1. Utilities (Metronome, tuner, iReal, iGigBook, payment apps, bank apps, scanning)

2. Sheet music/set lists, including sharing within a band

3. Notation

  • MuseScore – the desktop version allows you to write sheet music and load it to the website. The app is for viewing only (can’t write notation with it). Beware of $50 fee to download music to the app and the non-refund for cancelling subscription.
  • Notion – iOS, $14.99
  • Android sheet music apps, Sibelius, Finale, Noteflight

4. Transcribing

  • Amazing Slow Downer (ASD) – iOS, Android, Lite is free but only 30 seconds of song, $14.99, import from music library or Spotify
  • MimiCopy – iOS, $4.99, nice user interface for zooming and looping
  • Transcribe! – Desktop software with frequency analyzer

5. Apps for band directors/students – ear training, theory, pedagogy, improvisation

  • Stretch Music – iOS, $9.99, play along with Christian Scott Atunde Adjuah’s album, solo parts, view his sheet music
  • Harmony Cloud – iOS, $9.99, Stefan Harris’s play along improvisation app
  • Modacity – iOS, $8.99, music practice app, make a goal and watch your progress, make a playlist, take notes, recording, playback, set a timer, demos
  • Anytune – iOS, free with in-app purchases $1.99 – $4.99, music practice app, slow down, speed up, loop, and separate out parts, transpose to a different key, play along with a recording
  • Drum Genius – iOS, Android, free for the first three downloads, after that it ranges from $0.99 to $7.99, encyclopedia of drum grooves, practice along with Brian Blade
  • PlayByEar – iOS, free, ear training app
  • SR Machine (Sight Reading Machine) – iOS, $1.99, sight read difficult examples, demo
  • ReadRhythm, aka Rhythm Reading Sight Reading Trainer – iOS, $2.99, tap along with sight reading, then receive a graphic of what you did, connect to Evernote to show improvement over time
  • iImprov – iOS, Android, $4.99, this is a suite of apps which are short duration courses on everything jazz improv. Topics include: Scale Compendium, Modal, Fundamentals, Bebop, ii V, Contemporary Colors.
  • Tenuto – iOS, $3.99, music theory app for students, associated with
  • MyMusicTheory – Android, free, music theory app
  • Music Theory Pro – iOS, $3.99, music theory app
  • Fingering – iOS, $6.99, interactive fingering charts for brass and woodwind instruments
  • Scales Lexicon – iOS, $4.99, over 100 scales, modes, jazz scales, and world music scales
  • RhymeZone – iOS, browser, app is $2.99, browser is free, rhyming dictionary for lyrics
  • Clapping Music – iOS, free, tap along with Steve Reich’s Clapping Music (gamified)
  • GroupMuse – browser, iOS, free, social media app to host and attend classical chamber music house shows

6. Lead sheet resources

  • Scribd, MuseScore, Google Images

7. Pedals/Effects/VSTs

  • Ampkit – iOS, $19.99, hook your guitar into your iPad with the iRig for hundreds of pedals and amp modeling options
  • Tonestack – iOS, $4.99, with expansion packs up to $24.99, hundreds of pedals, amp sims, and heads
  • Cantabile – Windows, desktop app you can use for patches for your midi instrument (ex: Keyboard), $69 – $199
  • Apple MainStage 3 – iOS desktop only, $29.99, live stage performance app for iOS

8. Synths

  • MultiTone Generator – iOS, Android, free with $2.99 upgrade for all features, generate sine waves and adjust amplitude and frequency
  • iMini – Desktop avail for Windows and iOS, iPad app also available, $9.99, this is an app created by Arturia which looks, feels, and acts just like the infamous MiniMoog, AudioBus compatible

9. Looping

  • Loopy HD – iOS, $3.99, looper app, watch Jimmy Fallon’s demo on the tonight show
  • Garageband – iOS, free, use the live loops and record, also includes the Alchemy synth

10. Recording

  • Audiobus – iOS, $9.99, link your audio apps together to process and record, demo
  • Aurio Pro – iOS, $49.99, record up to 24 tracks, mix, master, and produce (DAW)

Deep Dive into Apps for Live Performance

  • Audio Interface setup 
  • Pedals
  • Live looping
  • Recording
  • Demonstration of synth apps and how to use them, including oscillators, filters, modulators, and internal effects

Resources: has tutorial videos and the Apps for Jazzers blog

Introduction to the Recording Arts by Shannon Gunn (198 page textbook) is on Amazon and provides a turn-key resource for educators, including chapters on the history of audio recording, physics of sound, microphones, PA systems, and basic electricity. Includes a curriculum, exercises and note-taking resources.


Shannon Gunn

[email protected]


@jazztothebone on Facebook, Twitter, Instagram, and Tumblr

Shannon is available to do masterclasses and residencies at schools and universities.

Shannon Gunn and the Bullettes: 


Hailed by the Washington City Paper as “D.C.’s Best Trombonist 2015” and the DistrictNow Blog as “Best Trombonist 2017,”  DC based Shannon Gunn is known for her exceptional tone and her grandiose project-du-jour. She is currently the artist in residence on Tuesday nights at Columbia Station in Adams Morgan as leader of the “Firebird Organ Trio,” named “DC’s Best Small Ensemble 2016” by the Washington City Paper. She also runs DC’s premiere all-women jazz orchestra, “Shannon Gunn and the Bullettes,” including successful performances at the Kennedy Center, Castleton Theatre House, DC Jazz Festival, Washington Women in Jazz Festival, Takoma Park Jazz Festival, Jazz on Jackson Place, Westminster Jazz Night, Nomadic Jazz, Great Gatsby Inaugural Ball, Goethe Institute, National Jazz Workshop, Gallery O on H, Arts on the Avenue, Bohemian Caverns, and  Dardanella. As a member of the Bohemian Caverns Jazz Orchestra, she’s had the privilege of playing with notable artists such as Oliver Lake, Cheryl Bailey, Yotam Silverstein, Wycliffe Gordon, Ken Schaphorst, and for Miho Hazama. Additionally, as lead trombone player at Michigan State University, she played with Billy Taylor, Rodney Whitaker, and Marian McPartland. She earned her Masters of Music in Jazz Studies from George Mason University in Fairfax, Virginia and also attended James Madison University and Michigan State University for her music studies. She produced “The JazzCast,” a podcast dedicated to curated listening sessions with jazz musicians. In addition to the ensembles listed above, Shannon Gunn has performed with the Metropolitan Jazz Orchestra, Reunion Music Society, American Festival Pops Orchestra, Manassas Chorale, at various TV stations such as  DCTV, CBS Morning Show (local) in Richmond,  WJLA ABC in DC as part of the Gatsby Ball promo, and has subbed in with the DIVA! Jazz Orchestra for Maurice Hines’ “Tappin Thru’ Life” as well as subbed on tour with Monika Herzig. She resides in Virginia with her husband, Timothy, and her dog, Faith. Photo Credit Suzette Niess.

2019 – The Year of Apps in Browsers

Recently, I deleted Facebook, Instagram, and Twitter from my phone. I almost immediately felt a lift in spirit, and have not regretted it since. I still have the accounts, just deleted the app, that’s all.

First of all, the invasion of privacy is astounding. Pay close attention to your ads. Have you ever searched for that item? We all know our searches are tracked and then ads are targeted later. If you put an item in a shopping cart online, and then abort, you will get retargeting ads a few minutes later on Facebook.

What really concerns me are the ads for items I did *not* search for.  Our phones are listening and our conversations are constantly mined for “keywords.” Companies pay big money to drill down their advertisements to people talking about a problem they can solve. I’ve seen this happen on my own accounts with large ticket items. Try having a conversation around a few of the following topics, and then pay close attention to the ads you see on Instagram and Facebook. Say the following words aloud.

1. I want to switch careers. I wonder if it would be helpful to have an MBA. I wonder where I should get an MBA. I need figure out what I should do for my career… [keep going, make stuff up]

2. Let’s go on vacation. Hawaii? Costa Rica?

3. I need a new mattress…

4. Honey let’s buy a house

5. Need a new kitchen, bathroom, I need new windows

I would even go so far as to say that these high value keywords are still recorded when the phone is off.

(please note – I am not an expert, just describing what I’ve seen)

Try it!

It’s legal because we agree to this in the terms and conditions.

There is something about these social media apps that causes a bit of jealousy, especially seeing other musicians’ gigs. You might say, but you need social media as a musician? To promote gigs?

First of all, I’m not sure how useful social media is for promoting live shows. It can help propel the wave of marketing, but print and curated media is still king. I would question the effectiveness of social posts. I have seen one, maybe two people come out to a show because they saw a social post, per gig, but it’s never a huge impact.

Facebook Ads do work, but that’s not really a strategy I want to use, if I can help it. That’s more for venues and large orgs.

What posting really does is give cred amongst other musicians, and builds rapport. That’s musician-to-musician business, though, not musician to audience marketing. Musicians are watching each other – checking out new venues, looking for sessions, you know the drill. It’s good for the industry to see what you’re up to. You have to constantly feed your social network and fans with new music (videos, recordings, etc.)

So how does one continue to stay in the eyes and minds of the industry, without sacrificing self-confidence and “FOMOOG” (fear of missing out on gigs)?

The answer, my friend, is to push out social posts with apps in browsers. Simply open Safari or Chrome to the social media site of choice, post your selfie/video/text, and get out. Close the tab. You can post video and pictures to Facebook, and pictures only to Instagram. You can only use IG via browser on your phone, not the desktop. You can view and post to Twitter with your browser. The only one that has been sticky is Pinterest, they force you to open your recipe for the best chocolate brownies in the app. So download and then delete when done.

I am having difficulty deleting Facebook Messenger. I’m not seeing any ads, so I don’t think it’s tracking me (yet), but I’m not an expert. FB Messenger is the most reliable way to reach a lot of folks, and also gives me a way to book people I have met but don’t have their phone number.

Cut the endless scrolling, go get coffee with friends, and cut those social media strings!

Ah, where was I on Instagram stories?

Just kidding!!

By the way, everyone under 25 has figured this out. This post is for us old folks, millennials and older.